>The left portion of the knob’s circumference governs the MIC saturation, which is warmer and can be aggressive when set to high values. The right portion of the knob’s circumference controls the LINE saturation, which imparts a very subtle effect. Gain : The red knob controls the saturation level with two types of saturation: LINE and MIC.High Shelv : fixed high shelf filter for high frequency control.Mids : bell style filter with six selectable frequencies: 300hz, 700hz, 1.6khz, 3.2khz, 4.8khz and 7.2khz.Low Shelf : low band control with four selectable frequencies: 35hz, 60hz, 110hz and 220hz.High Pass : high pass filter with five frequency positions: OFF, 50hz, 80hz, 160hz and 300hz.Values higher than 40 will push the saturation effect into overdrive – great for warm and crunchy vocals, organ/keys, drums overheads, rooms, bass, or any virtual instrument. If you want to introduce more apparent saturation, use values from 20 to 40. If you want to add a moderate amount of color/warmth to your track, use low values (from 10 to 20).
Mic saturation can be very aggressive at high values. MIC Saturation (imparted by turning the red knob to the left side) lends more color.LINE Saturation (introduced by turning the red knob to the right side) is a subtle saturation – ideal for adding just a bit of color to your tracks.Supported platforms: VST 2.4, VST 3.0, AU, AAX, and RTAS.Analog style modelled saturation: LINE and MIC.Three bands, HP filter, gain, and output controls.Inspired by the classic 1073 Equalizer.
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